“Little Cogburt” & “Cotton Candy”
When reading these two stories it is easy to see why they are considered classics from the Caribbean. Both authors use incredible ways to keep the audience’s attention and create a very realistic and relatable set of characters. Every human being can relate to the sense of longing that one has when daydreaming about things that you desperately want or miss. That is a very common theme with these two stories. In “Little Cogburt”, there is the longing of a mother for her children that are thousands of miles away and in “Cotton Candy”, there is the longing of a relationship-less woman that is longing for the romance of having a partner.
The story of “Cotton Candy” is quite similar in the way that the author writes about the forgotten minorities of a workforce and focuses on the “misfits of society”. The author uses very figurative language and uses a fairly common theme of the Caribbean which is “magical realism”. You see this through the different symbols that appear throughout the story, we have the butterfly that appears and represent her womanly desire for a man, then later in the story when she is much older, the animals in the zoo represent her own sexuality and she becomes in sync with the animals. These animals awoke something that she hadn’t felt since she was a young girl, she felt love and romance from watching the animals mating. She saw what she had never allowed herself to have, she had repressed her desires for so long that it had driven her partly insane over the years. However, with these animals she was able to come into herself again, she started to feel young because of these feelings that she had never experienced. In the end, she buys a mirror, when she looks into it she sees herself as a young woman again in her hometown. This is a story of rediscovering and finding love for herself, she accepted that she was an old virgin and finally got in touch with her true self from so many years prior.
Both stories share the common themes of how society views
its peasantry, one from the perspective of a plantation owner and the other
from the first-hand account of a woman who is a “misfit of society” living in isolation and how
both battle their longings for things that they do not have. The plantation
owner longs for her own children and overcoming her negative views of the “dark
children” and coming to the realization that they are not any different from
her own children. The second story has an old woman overcoming her desperation
of wanting a romantic relationship with a man and coming to the point of loving
herself again after years of misery and desperately longing for something she
would never have.